Team Zoo : Buildings and Projects 1971-1990 -9780847814022

描述

🔥 絕版建築專集・限量出清 🔥
《Team Zoo: Buildings and Projects 1971–1990》

日本的傳奇建築合作體 Team Zoo
在1980年代，Atelier Zo(象設計集團) 擴展並演變成為以「Team Zoo」為名的合作體系，其成員由多家小型工作室組成，各自以動物命名，涵蓋建築、都市設計、景觀、家具設計與視覺傳達等多元領域。
作品貫徹七大核心價值——表達場域、反思本質、多元文化、五感體驗、自然共生、朦朧之美、建築能量——在每一頁圖文中展露無遺。

📖 收錄近二十年代表作，含平面圖、手稿、實景照。
📦 絕版多年，市面難尋，建築迷必收！
👉 把這段建築史留在你的書架上

在日本當代建築史上，Team Zoo 是一個極富實驗精神與人文關懷的建築合作體。成立於1971年，起源於 Atelier Zo（象設計集團），由大竹康市（Koichi Otake）、樋口裕康（Hiroyasu Higuchi）與富田禮子（Reiko Tomita）等人創立，當時是早稻田大學的學生，並深受建築大師吉阪隆正（Toshihiko Yoshizaka）的影響。

在1980年代，Atelier Zo 擴展並演變成為以「Team Zoo」為名的合作體系，其成員由多家小型工作室組成，各自以動物命名，涵蓋建築、都市設計、景觀、家具設計與視覺傳達等多元領域。

他們的作品橫跨住宅、校園、公共空間與都市計劃，並貫徹七大價值核心：

1. Expression of Place：表達場域精神，尊重土地故事

2. What is a House? What is a School? What is a Road?：不斷追問反思建築本身的定義與功能

3. Diversity：擁抱多元文化與多樣性

4. Sensory World：注重感官體驗與感受設計, 以建築喚醒五感體驗

5. Enhancing and Enjoying Nature：與自然互動共生, 重視自然與人之間的和諧與互動

6. Aimaimoko：在曖昧與留白中尋找朦朧美感

7. Exertive Building：讓建築自身蘊含能量與張力

這些原則不僅反映在他們的建築作品中，也影響其跨領域整合的設計方式。

📖 本書亮點
🔹  收錄 1971–1990 年近二十年代表作與計畫案
🔹  包含平面圖、立面圖、剖面圖、手稿與實景照片
🔹  完整呈現 Team Zoo 從理念到建築實現的過程
🔹  研究日本後現代建築與合作式創作的稀有資料

 

Team Zoo is a Japanese cooperative of small studios including architecture, urban planning, furniture makers and graphic designers. Formed in 1971 as Atelier Zō by graduates of Waseda University, Tokyo, the group was influenced by the architect and educator, Takamasa Yoshizaka, whose emphasis on regional identity and vernacular approaches they adopted. By 1978 the group had expanded, calling itself Team Zoo with each individual practice named after a different animal. The organisational structure of Team Zoo is the result of the unique Japanese context, where the rapid post-war economic growth fuelled a building boom that demanded extremely fast paced construction, something very difficult for a small office to achieve. The group therefore comes together for large-scale projects that demand such a commitment, whilst working independently in the interim. The high rents of Tokyo also saw many of the individual practices moving out to the provinces, where most of their projects were located, mainly schools, kindergartens and community buildings as well as some housing.

Many of the group’s buildings are designed to be intimate in scale with large institutional buildings being broken down and clustered together. Team Zoo also insist on using local materials and craftsmen; often this has led to new workshops being set up by artisans employed by them. For example, Atelier Iruka in Kobe used traditional plastering methods for the exterior of their library in Wakimachi, contacting craftsmen whose skills were almost forgotten and arranging for young apprentices to be trained, thus ensuring the survival of the craft for at least another generation. They also commissioned traditional birds and dragons from a local tile factory saving it from closure. Atelier Zo, which is the most active of the studios, is known for its buildings expressing the zoological metaphors of the groups’ names, for example Domo Cerakanto takes its shape from a mythical fish. The combination of such metaphors with vernacular traditions stand in marked contrast to much of contemporary Japanese architecture and the loose cooperative structure of the group has ensured that their slower and more individualised approach to architecture can survive in a highly competitive context.