描述
Jeff Gibson’s career as an artist seems woven from the threads of his travels, both physical and virtual. His neo-Pop investigations embrace both the multiplication of image populations characteristic of the digital world and the reduction of online commerce into silhouetted photographic insignia. More recently, Gibson has returned to analogue image scavenging – cutting, cropping, and layering found images into intricately layered patterns. This monograph gives a comprehensive look back at his career in all its varied phases, from the late 1970s to the present moment. With written contributions by Thomas Crow, Susan Best, Tara Heffernan, and Angela Goddard.
